Saturday, August 13, 2011

2) a more common depiction shows the martyr-saint's hands bound together behind him, feet unbound and his body resting against a column or stake or tree--e.g., Rogier van der Weyden (1446) (See: Figure 29), Giovanni Bellini (1464) (See: Figure 30), Francesco Galli (called Francesco Napoletano) (c. 1490) (See: Figure 31), and Giovanni Buonconsiglio (1500) (See: Figure 32) among a number,



29. Rogier van der Weyden (1400-1464), The Last Judgment Polyptych (reverse side) (1446-52), Musée de l'Hôtel Dieu, Beaune.





























30. Giovanni Bellini (1430-1516), Polyptych of St. Vincenzo Ferreri (1464). Basilica of Santi Giovanni e Paolo, Venezia.




















31. Francesco Galli (called Francesco Napoletano) (mid 1400-1501), Martyrdom of St Sebastian (c. 1490). Museum Boymans-van-Beuningen,Rotterdam.
































32. Buonconsiglio, Giovanni (1495-1537), St Sebastian with St Roch and St Lawrence (1500), San Giacomo dall'Orio, Venice.


















3) a third variation is seen with the martyr-saint's hands bound together behind him, his feet bound and his body also bound and resting against a column or stake or tree--.e.g., Anonymous Rhone Master (XVth Century) (See: Figure 33), Anonymous Nuremberg Master (1437) (See: Figure 34), Andrea Mantegna (1459) (See: Figure 5), Antonio Pollaiolo (1475) (See: Figure 35), among others,




33. Master of the Rhone School (XVth C.), Martyrdom of St. Sebastian, Sarah Campbell Blaffer Foundation,Houston.




























34. Anonymous Nuremberg Master (XVth C.), St. Sebastian (1437), Albertina Library,Vienna. Woodcut.





























35. Antonio Pollaiolo (1433-1498), Martyrdom of St Sebastian (c. 1475). National Gallery,London. In collaboration with brother Piero.


















Friday, August 12, 2011

4) a fourth variation finds the martyr-saint's hands bound separately, his feet unbound and his body leaning against or pulling away from a column or stake or tree--e.g., Marco Zoppo (c. 1453) (See: Figure 4), Hans Memling (a. 1470) (See: Figure 36), Master of San Pellegrino (1476) (See: Figure 37), Evangelista di Piandimeleto (b. 1499) (See: Figure 38) and Luca Signorelli (1508) (See: Figure 39) among many,



36. Hans Memling (1433 -1494), Martyrdom of St Sebastian (after 1470). Musée Royaux des Beaux-Arts, Brussels.























37. Anonymous San Pellegrino Master (XVth C.), Madonna of Carmine with St. Roch and St. Sebastian (1476), Chiesa di San Pellegrino di Ripe, Italy.