7) tied in such a way as to suggest genitalia--e.g., Cosimo Tura (c. 1470) (See: Figure 8) paints the drape and tie in such a manner that the loose end, hanging down over a circular part of the 'knot' clearly suggests penis and scrotum; also Antonio Bazzi (Il Sodoma) (1525) (See: Figure 140) likewise presents a knot that possesses genital connotations; and Rafael Ximeno y Planes (1782) (See: Figure 141) shows the wrap which is so tied or bound in such a way that the end falls between the legs in such a manner that it overtly suggests the male genitalia,